Her publications include вЂOtherвЂ™ Spanish Theatres (2003, revised Spanish-language edition, 2017), Federico GarcГa Lorca (2008) and ten co-edited volumes. Delgado is Professor of Theatre and Screen Arts at The Royal Central School of Speech and Drama, University of London, UK. Written for students and scholars of European theatre and playwriting, this book will leave the reader with an understanding of the shifting relationships between the subsidised and commercial, the alternative and the mainstream stage, and political stakes of playmaking in European theatre since 1989. With chapters by leading scholars and contributions by the writers themselves, the chapters bring playwrights together to examine their work as part of a network and genealogy of writing, examining how these plays embody and interrogate the nature of contemporary Europe. Traversing borders and languages, this volume oп¬Ђers a fresh approach to analysing plays in production by some of the most widely performed European playwrights, assessing how their work has revealed new meanings and theatrical possibilities as they move across the continent, building an unprecedented picture of the contemporary European repertoire. Jonas Hassen Khemiri: Writing out of the binaryД¬ontemporary European Playwrights presents and discusses a range of key writers that have radically reshaped European theatre by п¬Ѓnding new ways to express the changing nature of the continentвЂ™s society and culture, and whose work is still in dialogue with Europe today. Peter Handke: Inhabiting the world togetherДў0. debbie tucker green and Alice Birch: вЂAngry feministsвЂ™ on the European stageДЎ9. Biljana SrbljanovicВґ and Ivana Sajko: Voice in the place of silenceДЎ8. Emma Dante and Fausto Paravidino: Families, national identity, and international audiencesДЎ7. Lena Kitsopoulou and Yannis Mavritsakis: Greek theatre at the antipodes of crisisДЎ6. Yasmina Reza and Florian Zeller: The art of successДЎ5. Enda Walsh and Martin McDonagh: Reimagining Irish theatreДЎ4. Ivan Vyrypaev and Natalia Vorozhbyt: Language, memory, and cultural mythology in Russian and Ukrainian new dramaДЎ3. Jordi Galceran and Juan Mayorga: Unravelling the present, narrativising the pastДЎ2. PaweЕ‚ Demirski and Dorota MasЕ‚owska: Painful pasts, transformative presentsДЎ1. Vasilii Sigarev and the Presniakov Brothers: Staging the newДЎ0.

Sarah Kane and Mark Ravenhill: The вЂblood and spermвЂ™ generationД©. Marius von Mayenburg and Roland Schimmelpfennig: Dissecting European lives under global capitalismДЁ. Martin Crimp and Simon Stephens: British playwrights as European playwrightsД§. Lars NorГ©n and Jon Fosse: Nordic grey or theatre innovators?Д¦. AndrГЎs Visky and MatГ©i Visniec: Challenging boundaries of cultural specificityДҐ.

Weronika SzczawinВґska and Agnieszka Jakimiak: Dramaturg as a figure of transitionД¤. Elfriede Jelinek and Werner Schwab: Heimat critique and dissections of right-wing populism and xenophobiaДЈ. European playwriting and politics, 1945вЂ“89Дў.

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